40 individual lessons
Running time of 6 hours.
Table of Contents
Exploring the User Interface
Launching Final Cut Pro X
Final Cut Pro X Workflow
Customizing the UI
The Toolbar
Exploring User Preferences
Commanding the Keyboard
Using Shortcuts with Modifier Keys
Locating Keyboard Commands in the Command Editor
Filtering the Virtual Keyboard
Customizing the Keyboard
Using the Command Search & Help System
Choosing a Media Storage Option
Navigating the Media Import Window
Choosing Media Storage Options
Copying to the Library vs. Copying to an External Location
Copying Files to the Library: AKA Managed Media
Copying Files to an External Location: AKA External Media
Leaving Files in Place
Importing Media from Cameras
File-Based Cameras vs. Tape-Based Cameras
Importing from File-based Cameras
Importing from a Camera Archive
Customizing the Metadata List
Importing Single or Multiple Clips
Importing Selection Ranges
Transcoding During Import
Checking Analysis Options
Importing from Tape-Based Cameras
Creating Camera Archives
Importing Media from Hard Drives
Reasons for Importing from a Hard Drive
Importing Folders as Keyword Collections
Analyzing Video During Import
Analyzing for People
Analyzing Audio During Import
Viewing Keyword Collections & People Smart Collections
Importing by Drag & Drop
Working With Events
Creating Events
Moving & Copying Media Between Events
Deleting Media in Events
Deleting Events
View Clips as Filmstrip
Viewing Clips as a List
Using the Task Menu
Organizing with Keywords & Smart Collections
Identifying Clips with Keywords
Creating a Keyword Collection
Drag & Dropping Clips to a Keyword Collection
Removing Clips from a Keyword Collection
Assigning Frequently Used Keywords
Viewing and Adding Keywords with the Skimmer
Filtering Keywords
Creating Custom Smart Collections
Rating, Deleting & Transcoding Media
Rating Clips as Rejects
Rating Clips as Favorites
Creating a Favorites Smart Collection
Assigning Keywords to Ranges
Transcoding Media
Setting up a Project
Creating a New Project
Choosing Video Settings for a Project
Choosing Audio Settings for a Project
Locating Projects
Building a Project
Making Selections & Playing Clips in the Browser
Marking Ranges on the Fly
Dragging Clips into the Timeline
Introducing the Editing Buttons
Appending Clips to the Primary Storyline
Inserting Clips to the Primary Storyline
Navigating the Timeline
Understanding the Relationship Between the Skimmer & Playhead
Reordering Clips in the Timeline
Renaming Clips in the Timeline
Synchronizing Clips & Rating Interviews
Reasons for Syncing Video and Audio
Creating a Synchronized Clip Smart Collection
Changing the Audio Playback Channel
Rating Interviews
Adding Favorites to the Project
Performing Insert, Overwrite & Connect Edits
Inserting a Clip Using the Playhead
Inserting a Clip Using the Skimmer
Performing an Overwrite Edit
Inserting Multiple Clips into the Timeline
Understanding Storylines
Performing a Connect Edit
Understanding the Magnetic Timeline
Performing a Video-Only Connect Edit
Nudging & Disabling a Connected Clip
Removing Unwanted Material
Locating Clips with the Timeline Index
Removing Unwanted Material Using the Range Selection Tool
Removing Unwanted Material Using Keyboard Shortcuts
Enabling & Disabling Clip Snapping
Performing Blade Trims
Performing Playhead & Skimmer Trims
Using Trim to Selection
Replacing Clips & Performing 3-Point Edits
Performing a Replace Edit
Performing a 3-Point Edit
Creating a Back-Timed 3-Point Edit
Adjusting Clip Timing
Trimming Defined
Trimming with the Selection Tool
Trimming with the Keyboard
Creating Split Edits
Changing the Trimming Preferences
Flattening a Clip to the Primary Storyline
Auditioning Clips
Creating a Selection Range to Audition
Changing the Audition Pick
Add to Audition vs. Replace and Add to Audition
Previewing the Audition Clip
Using the Trimming Tools
Working with the Trimming Tool
Performing a Ripple Edit with Snapping
Performing a Rolling Edit
Performing a Slip Edit
Overriding a Clip Connection
Performing a Slide Edit
Trimming with the Precision Editor
Editing with Multicam Clips
Creating Multicam Clip
Viewing the Angles in a Multicam Clip
Enabling Video-Only Switching
Performing a Multicam Edit in the Timeline
Switching Angles without Making Cuts
Multicam Editing with the Keyboard
Making Adjustments to the Edit
Working with Storylines
Understanding Gap Clips
Performing Extract & Lift Edits
Using the Position Tool
Replacing Gap Clips
Working with Secondary Storylines
A Word About FCP X's Editing Paradigm
Understanding Secondary Storylines
Re-ordering & Trimming Clips in a Connected Storyline
Disabling Clips in a Secondary Storyline
Changing Storyline Timing with a Gap Clip
Editing the Soundtrack
Duplicating a Project
Setting up the Project for Sound Editing
Disabling & Detaching Audio
Changing Clip Volume
Understanding Audio Delivery Requirements
Soloing Clips
Creating Fades
Copying & Pasting Volume Effects
Changing the Fade Type
Working with Music
Adjusting Music Loudness
Using Beat Markers for Cutting
Controlling the Volume of a Clip Over Time
Adjusting Audio Keyframes
Copying & Pasting Keyframes
Making Music Timing Refinements
Refining the Edit
Becoming a Final Cut Pro
Tightening Up the Pacing
Adding a Split Edit
Enhancing the Soundtrack
Analyzing Audio for Problems
Improving Loudness
Reducing Background Noise
Evening Out Dialogue
Working with Markers, Audio Components & Surround
Adding & Naming Markers
Changing Marker Types
Performing a 3-Point Audio Only Edit
Working with Audio Components
Panning in Dolby Surround Space
Retiming Video
Retiming a Clip - Constant Speed Changes
Using the Custom Speed Window
Changing Speed with the Retiming Handle
Reversing a Clip
Replace with Retime to Fit
Retiming a Clip - Variable Speed Changes
Smoothing in & Out of Speed Segments
Changing the Video Quality
Analyzing & Rendering with Optical Flow
Creating Freezes & Holds
Creating a Freeze Frame in the Timeline
Creating a Freeze Frame in the Browser
Creating Hold Frames
Applying & Modifying Transitions
Controlling Transition Overlap
Applying the Default Transition
Changing Transition Duration
Rolling an Edit under a Transition
Applying a Transition from the Media Browser
Adjusting the Transition Properties
Replacing a Transition
Applying Multiple Transtions
Changing the Default Transition
Applying & Animating Effects
Previewing & Applying Effects
Adjusting Effect Properties
Using the Animation Editor
Keyframing Effects
Keyframing Effects with the Range Selection Tool
Working with Generators & Photos
Reasons to Transform Images
Using Apple's Motion as a Publishing Tool
Changing the Published Parameters
Adding Photos to a Project
Changing the Spatial Conform
Working with Transform Controls
Transforming Image in the Viewer
Transforming Images in the Inspector
Animating Transforms with Keyframes
Navigating to Keyframes
Working with Keyframes in the Animation Editor
Animating Opacity
Trimming Cropping & Distorting an Image
Trimming an Image
Cropping an Image
Creating a Ken Burns Effect
Distorting an Image
Working with Titles & Themes
Working with Basic Titles & Lower Thirds
Editing Text in the Viewer
Changing the Text Attributes in the Inspector
Working with Animated Themes
Working with Compound Clips
Enabling Safe Zones
Creating a Compound Clip
Editing a Compound Clip
Adding a Drop Shadow
Locating a Compound Clip
Balancing and Matching Color
Reasons for Color Correction
Auto Balancing Color & Contrast
Auto Balancing in the Timeline
Auto Balancing for Shot Matching
Manually Color Correcting an Image
Adjusting Contrast
Adjusting Saturation
Adjusting Color
Using Color & Shape Masks
Performing Targeted Corrections
Giving the Sky More Punch
Viewing the Matte
Adding Pixels to the Matte
Correcting Inside/Outside the Matte
Targeting Specific Areas Using a Shape Mask
Adding Multiple Shape Mask
Copying and Pasting Corrections
Publishing to Apple Devices & Vimeo
Sharing a Project
Exporting for Apple Devices
Changing Export Settings
Range-Based Exporting to Vimeo
Creating & Exporting Chapter Markers
Publishing Bundles & Keywords
Exporting Bundles
Creating & Exporting Keyword Tokens
Adding Custom Token Fields
Exporting Master Files with Roles
Reasons for Exporting Master Files
Reasons for Exporting Roles (Stems)
Exporting Audio Roles (D M & E Tracks)
Assigning Roles in Your Events & Projects
Viewing Roles in the Timeline Index
Exporting Using Compressor
Exploring the Compressor UI
Applying a Setting
Choosing a Location
Submitting the Batch
Distributed Transcoding
Exporting Using Compressor Presets
Bonus Course - Sound Editing in Final Cut Pro X
11 lessons with a running time of 76 minutes
Table of Contents
Introduction
What You'll Learn In This Tutorial
How to Work with the Media
Audio Fundamentals
Mounting the P2 Disk Image
Analyze & Fix Audio Problems
Seperate Mono & Group Stereo Audio
Remove Silent Channels
Analyzing After Import
Setting Auto-Analysis In Preferences
Inspecting the Channel Configuration
Enhancing Your Soundtrack
Working with Audio In the Timeline
Working with the Waveform
Enabling, Disabling & Soloing Audio
Choosing an Audio Channel
Paning the Audio Channel
Editing in the Timeline
Adjusting the Edit Points
Expanding the Audio
Trimming the Audio
Animating Clip Volume
Working with Fade Curves
Understanding Fade Curve Types
Animating the Volume to Remove Noise
Navigating Between Keyframes
Removing Keyframes
Adjusting the Volume Level at a Keyframe
Determining Mic Channels
Seperating the Audio Channels In the Timeline
Benefits of Breaking Apart the Audio Channels
Seperating Audio from Video
Enhancing the Soundtrack
Reducing Background Noise
Keeping the Tonal Characteristics of the Dialogue
Removing Background Noise from other Sounds
Navigating Between Audio Panes
Adjusting Loudness
How Loudness Affects the Audio Clip
Adjusting the Loudness Parameters
The Downside of the Loudness Enhancement
Animating the Volume Level to Control Dynamics
Removing Hum
Enhancing with Equalization
The Downside of using EQ Presets
Working with the Graphic Equalizer
Using Match Audio
Evening Out the Mix
Using the Audio Meters
Making Relative Volume Changes
Working with EQ
Anatomy of a Graphic Equalizer
Isolating Unwanted Room Resonance
Understanding the Limitations of using a Graphic EQ
Applying a Parametric EQ
Anatomy of a Parametric EQ
Isolating the Frequencies During Playback
Adjusting the Q Value of the Curve
Comparing Before and After EQ in the Inspector
Making a Low Shelf Adjustment
Equalization Best Practices
Working with a Compressor
Understanding Audio Dynamics
How Compressors Work
Applying a Compressor to Dialogue
Anatomy of a Compressor
Setting the Compressor to "Rest" Position
Adjusting the Ratio
Adjusting the Threshold
Compressor Best Practices
Adjusting the Release
Adjusting Attack
Increasing Overall Gain
Understanding Auto Gain
Setting Output Levels
Creating a Surround Mix
Hardware Considerations
Configuring Audio Monitoring in the Audio MIDI Setup Window
Setting up Surround Mixing in Final Cut Pro X
Anatomy of the Surround Panner
Animating the Surround Space
Setting a Surround Pan Mode
Editing Voice Over
Cleaning up the Voice Over
Using a Noise Gate
Explanation of a Noise Gate
The Threshold Control
The Release Control
The Attack Control
The Hold Control
Histeresis Control
Adding a Touch of Reverb
Using the Waveform for Editing Voice Over
Using Other Effects
Exploring Other Useful Audio Effects
Distortion Effects
Limitations of Echo Effects
Levels Effects
Modulation Effects
Spaces Effects
Using Space Designer
Specialized Effects
Voice Effects
Adding Foley Effects and Music
Working with Sound Effects
Searching for and Auditioning Sound Effects
Spotting the Sound Effect to Picture
Combining Effects to Create Suspense
Adding an LFE Effect
Adding a Dash of Reverb to a Compound Clip
Getting Around the Truncated Reverb Effect
Adjusting Sound within a Compound Clip
Adding a Music Bed
Exporting and Collaboration
2 Methods of Sound Collaboration
Working with Roles
The Purpose of Roles
Viewing Roles in the Inspector
Editing Roles
Adding Sub-Roles
Assigning Roles in the Inspector
Common Application of Roles
Exporting Audio Stems
Choosing the Roles to Export
Exporting for ProTools
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